The visual choices are made to compound the realistic drama effect.
The director takes time in establishing the world. The slow pace is evident at the start, which is further extended with Krishna’s introduction as an honest cop.
Still, it helps set up the background of the lead Krishna in a hard-hitting way. The darker theme couldn’t have been made more obvious. The change in the approach of Pavan Sadineni from his previous attempts is right in our face at the start with the black and white narrative. The tale of Senapathi is a serious and intense one with a simple line. It is a complete departure for him from the kind of movies (or series) he attempted in the past and based on an original story by Sri Ganesh. Pavan Sadineni of Prema Ishq Kaadhal fame directs Senapathi. It is a good outing for him, no doubt, but is it the best one for the narrative is something that is debatable. The last half an hour is where we see the best of Naresh Agastya. The good thing is a sustained serious look from the beginning to the end has things under control. There is a lot of intensity in the role, which isn’t conveyed as effectively as possible. Naresh Agaystya as Krishna comes across as a picture of sincerity. Who is the person in possession of Krishna’s revolver? How did he retrieve it is what the movie is all about? A double blow of sorts happens when the same is used for a robbery, and a small girl is killed. Unfortunately for him, he loses his service revolver while chasing a criminal one day. He is preparing for IPS simultaneously as he wants to become a powerful person. Krishna (Naresh Agastya) is a sincere police officer.
0 kommentar(er)
